HowcanIquicklymemorizeapiece?

Therearemanyapproachestotake,andit”sprobablyagoodideatouse
asmanyofthemaspossible.

First,trytolearnwhatthelargescalestructureofthepieceis.Isit
binary?Ternary?Rondo?Thatwayyouarebasicallybeginningbycutting
itupintomoremanageablechunks.

Second,lookforphrasingandothertypesofmusicalstructures.

Trytolearnitbyear(canyousingthepieceallthewaythroughwithout
themusicortheguitar?).Thisiseasierforpeoplewhoaremore"aurally"
orientated(likeme).

Ifyouaremore"visual"trytomemorizethepagetoasgreatanextentas
youcan.Theharpprofheregavealectureaboutmemory&learning
techniques,andsaidthatvisualmemoryreallywasmorestimulatedby
lookingup(andtotheleft,Ithink)soifyoucan,tryplacingyourmusic
standVERYhigh(forpractice&learning)suchthatyouarelookingUPat
themusic.

IknewmanyguitaristsinSpainwhomemorizedthesolfegesyllables-they
couldsingtheirpiecesfromstarttofinish(miremifamiremi…)

Trytomemorizethepiecestartingattheback(ThisisatipfromDavid
Russell)-wealwaysgofromfronttoback,oftenboggingdown,sousually,
thefartherintoapiecewego,thelessfamiliar&comfortableitis.If
youlearntheLASTmeasure,thenthenexttolastmeasure,etc.youare
settingupasituationwherethefartheryougo,theMOREfamiliarand
comfortablethingsare.

Thisalsobringsuptheissueoflearningsinglemeasures(apartfrom
whatevermusicalcontexttheymighthave).JoseTomasusedthistechnique
asawayforhisstudentstolearn30minutesof*new*repertoirein
1month:atthebeginning,makealearningplan,inwhichyouassing
yourselfXmeasurestolearneachday,makingsurethateverydayyou
learnsomeofeverypiece(insteadofworkingonpieceA,thenlater
startingonpieceB,etc.).Learningveryshortchunkshelpsyouprogram
yourphysicalmovementsmuchbetter.

ThisbringsuptheevenmoreexcruciatingtechniquessuggestedbyManuel
Barrueco.Makesureyouknowyourrightandlefthandfingeringsso
thoroughlythatyoucandoeitherseparately.

Forexample,playthepiecewiththerighthandonly(i.e.allopen
strings,butusingthe*EXACT*righthandfingerings).

Then,tryplayingthelefthandalone.Thisisabitharder,becauseit
doesn”treallynecessarilyfunctionaswellwithouttheprecisionofthe
righthand.Barrueco”ssolutionistomis-tunetheguitartosomerandom
tuning(i.e.6thtoF,5thtoAb,3rdtoG#,1sttoD#)…thenplayyour
piece,concentratingonplaininggthefingeringperfectly.

Thisisanexcruciatinglydifficultthingtodoifyouareprimarily
an"aural"type(Iam)-butit”sgood,thetotally"wrong-sounding"
natureofthisforcesyoutofighttonotbedistractedandconcentrate
onplayingthefingeringright.

Dothis*very*slowlytopracticethefingeringwithoutrelyingonyour

附"反弹吉他"的翻译:

当回好人，给大致翻译一下：

怎样快速记住一个曲子

有很多办法，最好尽量综合使用

首先是分析曲式，看看是2段体，3段体还是回旋曲，这样就可以把曲子分割成容易对付的几块，

然后看每个段落和乐句，

用耳朵记住整个曲子，你能不能不听录音，不用吉他把整个曲子唱出来？这个方法适合听觉导向的记忆者，

视觉导向的把谱子放在高处往上看更容易记住，

很多西班牙的演奏家能从头到尾把曲子唱出来，3234323。。。。

大卫罗素从后边往前背。。。。

何塞托马斯教学生用1个月记住一个30分钟的曲子，方法是订个计划，把曲子分成小块，每天学一块，顺序任意。。。。

更精确的办法就是象八路爱科一样记住两手的指法，直到可以两手单独运动，

比如，光弹右手，都是空弦，指法要精确。。。

还可以只按左手，八路为了集中精力，把琴弦都给调乱了，这样就不会用右手了，对听觉记忆导向的人这样很难，但是很有效。。。

很慢的这样练习